NontonStreaming film 300: Rise of an Empire 2014 Sub Indo Full HD, Download 2014 in Hindi Dubbed dual audio Eng Sub BluRay 360p, 480p, 720p, 1080p While 300: Rise Of An Empire attempts to tap into the same vein of romanticising Quixotic Nonton Streaming film 300: Rise of an Empire 2014 Sub Indo Full HD, Download 2014 in Hindi Dubbed dual audio

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"300," I learn, reflects the book almost panel-by-panel. They lean so heavily on CGI that many shots are entirely computer-created. Why did I like the first, and dislike the second? Perhaps because of the subject matter, always a good place to start. "Sin City," directed by Robert Rodriguez and Miller, is film noir, my favorite genre, taken to the extreme. "300," directed by Zack Snyder, is ancient carnage,taken beyond the extreme. "Sin City" has vividly- conceived characters and stylized dialogue. "300" has one-dimensional caricatures who talk like professional wrestlers plugging their next feud. The movie involves a legendary last stand by 300 death-obsessed Spartans against a teeming horde of Persians. So brave and strong are the Spartans that they skewer, eviscerate, behead and otherwise inconvenience tens of thousands of Persians before finally falling to the weight of overwhelming numbers. The lesson is that the Spartans are free, and the Persians are slaves, although the Spartan idea of freedom is not true enough. But my deepest objection to the movie is that it is so blood-soaked. When dialogue arrives to interrupt the carnage, it's like the seventh-inning stretch. In slow motion, blood and body parts spraying through the air, the movie shows dozens, hundreds, maybe thousands, of horrible deaths. This can get old movies, ancient Greeks were usually sort of noble. Now they have become lager louts. They celebrate a fascist ideal. They assume a bloodthirsty audience, or one suffering from attention deficit how many disembowelings do you have to see to get the idea?. They have no grace and wisdom in their speech. But you're unlikely to care, for such is the nature of myth and epic that characterisation and language exist only to serve the story. For all their bravery and bluster, Spartan deaths or injuries pluck no heartstrings - we neither know these men nor care about their fate. For all Butler's verbal anguish and warrior dexterity, he and his 300 are cartoon characters, simple archetypes of ancient epic, spitting vitriol and wielding weapons but ill-equipped to connect to those watching them on screen. The result is that the conclusion of this, one of the greatest stories ever told, is sadly fumbled.

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